Editorial

Abstract

This special issue of the journal focusses on three short films written and produced by literary and theatre studies scholar, Glenn D’Cruz. Glenn is the author of Midnight’s Orphans (2006), a work that is recognised as a significant contribution to scholarship on Anglo-Indians. He has also produced a number of films which reflect on aspects of Anglo-Indian experience and creative representations about Anglo-Indians. This special issue introduces readers to three of his films, via his own introduction, and offers a critical response from three scholars each of whom engages with one of these films.